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Posts Tagged ‘Metropolitan Room’

Wow, wow, wow is what I have to say after attending the opening night of T. Oliver Reid’s show “This Love I Know” at the Metropolitan Room in NYC. I have never heard T. Oliver Reid sing prior to tonight, but I now see why he was the winner of the 2010 “MetroStar Talent Challenge.” Beating out the other 51 contestants during the 8-week jury and audience-voted elimination-round competition, T. Oliver dazzled throughout.

“This Love I Know” takes the audience on a journey of love. T. Oliver chose songs that have helped him through many loves, both the “falling-in-love” and “on-to-the-next” variety. T. Oliver’s voice is powerful, skilled, and most of all wide-ranged! His voice shined and sparkled throughout the whole set with such classics as “Hooray For Love,” “You Don’t Bring Me Flowers,” “Autumn In New York,” “This Can’t Be Love,” and “I Can’t Make You Love Me.”  If you are looking for a show to attend with that special someone or someone you love, then “This Love I Know” at the Metropolitan Room (34 West 22nd Street, between 5th & 6th Ave) is the place to be through February 14 at 7pm! $25 + 2 drink minimum.

T. Oliver Reid has spent the past 12 years entertaining audiences on Broadway in “Chicago,” “Kiss Me Kate,” “Follies,” “Thoroughly Modern Millie,” “Never Gonna Dance,” “La Cage Aux Folles,” “The Wedding Singer,” “Damn Yankees,” and “Mary Poppins.” He has also had the privilege of working onstage with Chita Rivera, Brian Stokes Mitchell, Jane Krakowski, Karen Ziemba, Blythe Danner, Judith Ivey, Marin Mazzie, Sutton Foster, and Robert Goulet. He’s worked with some of the best directors, choreographers, and musical directors including Kathleen Marshall, Rob Marshall, Rob Ashford, Jerry Zaks, Ann Reinking, and Jerry Mitchell.

Over the past decade, he has donated his time and resources to The Actor’s Fund, Jeffrey Fashion Cares, and Broadway Cares/Equity Fights AIDS where he’s served on several fund raising and grant committees as well as committees to help with the distribution of funds to food banks across the country. He is also a charter member of G4G/NYC (Gay for Good, a non-profit service organization). For more on T. Oliver Reid be sure to visit http://toliverreid.com/

1. Who or what inspired you to become a performer? It would be what. Literally every Saturday morning growing up I watched Turner Classical Movies and the MGM movie musicals. I would sing along to them and get different cast recordings and sing to those. I had the “Annie” cast recording and would sing to it everyday until my mother finally took me to see the road show which was in Charlotte. We went there and that’s where it all started for me.

2. What is the highest and lowest note you can sing? That’s a good question. The highest is a Soprano B flat. I used to be able to sing higher, like high E flats, but somewhere along the way, I lost a few notes. The lowest note I can sing is the low F.

3. Who’s the one person you haven’t worked with that you would like to? I’d love to have David Foster produce something for me. It really goes back and forth between musical theatre and standard pop music composer/lyricists. There are a lot of new composer/lyricist’s I’d like to work with. Me: Which ones? T: I like Scott Alan’s work. I think he’s fantastic.

4. What’s the best advice you’ve ever received? “You should be singing and not dancing.”

5. What do you get from performing in a solo show that you don’t get from performing in a Broadway show? It’s all about me. Whatever choices I make and songs I choose is about the journey I want to take as opposed to me just being there for someone else’s journey or me filling a part for someone else. It’s a great thing to be able to shape a show myself and to choose all the numbers and sing all the songs and sort of figure out what I want to do. It really becomes more part of you than being part of someone else’s idea.

6. How did you come up with the concept and song selection for your show “This Love I Know?” I had a list of about 40 songs and I would just listen to every song everyday and after a while I was like I don’t want to listen to this one anymore and then take it off the list until I got the list down to a smaller number and then put them in an order that made sense. Me: You did achieve that. I think there was a story that went with the songs and that came through to the audience. T: Thank you, thank you very much.

7. Favorite place to practice/rehearse on your own? When a train is coming into the subway platform that is when I do my loudest singing because I don’t like singing loud around people. When I’m on the train I’m always humming or thinking of songs. I also like to practice in a cafe somewhere because I can’t concentrate well in my apartment, so I’ll go to a cafe and brainstorm my ideas.

8. Favorite way to stay in shape? The gym. Summers I like to ride my bike.

9. Boxers or Briefs? I’ll say briefs, but they are somewhere in between. They are not the usual tighty whities. They are a little bit looser.

10. Favorite website? Facebook.com. I feel like I’m on it all the time.

11. Superman or Wonder Woman? Wonder Woman definitely!

BONUS QUESTIONS:

11. Favorite place to go on a date in NYC? It would be my favorite restaurant which is actually in Carroll Gardens, Brooklyn called Buttermilk Channel. They have the best food on the planet. You really feel like you’re in Brooklyn and the food is amazing.

12. If you could dream about anyone while you sleep, who would it be? My best friend who I lost in April 2010.

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100% pure laughter and enjoyment is how I would describe Hedda Lettuce’s “Lettuce Rejoice: A Holiday Tradition” at the Metropolitan Room in NYC. This was my first time seeing Hedda’s annual holiday show and I’m sure glad I went.

Part stand-up comedy, part cabaret, but all original! Hedda knows how to put on a show and put one on she does! Hedda takes holiday classics such as “Rudolph The Red Nosed Reindeer,” “Frosty the Snowman,” “‘Twas the Night Before Christmas,” and “Feliz Navidad” and puts her own spin on them with her brilliant parody lyrics. Since this is a holiday show, there is something for everyone…Hedda pays special homage to the Jewish faith as only Hedda can…with comedy!

From the opening number all the way to the end, Hedda had this sold-out crowd laughing out loud for almost 2 hours and even then, the audience cheered for  more.

If you are looking for a holiday delight, then I suggest you get yourself to the Metropolitan Room in NYC for “Lettuce Rejoice: A Holiday Tradition” (34 West 22nd Street, between 5th & 6th Avenue). With only 2 shows left, Friday, December 24 at 7:30pm and Sunday, December 26 at 7:30pm, you don’t want to be standing out in the cold wondering why it’s so hot inside!

Call 212-206-0440 for reservations: $22 cover + 2 drink minimum

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Be sure to catch one of Broadway’s powerhouse vocalists & fellow “Adaumbelle’s Quest” participant Tituss Burgess live at NYC’s famed Metropolitan Room (34 West 22nd Street, between 5th & 6th Ave) this Sunday, January 31 & next Sunday, February 7 at 9:30pm. Tituss is offering fans a stripped down concert of new material intermixed with old favorites. If you’ve never seen Tituss  outside of a Broadway show, you are in for a real treat!

$20 cover + 2 drink minimum. For reservations call 212-206-0440.

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Looking for something to keep you warm on these cold winter nights: Be sure to catch fellow “Adaumbelle’s Quest” participant Hedda Lettuce in her holiday spectacular “Lettuce Rejoyce” at the Metropolitan Room. Come be entertained by Hedda Lettuce as she bestows upon you an evening of comedy and holiday songs Hedda Style!

Showtimes are Dec. 18, 19, 20 at 10pm, Dec. 24 & 27 at 7:30pm.

Ticket s are $22 and can be reserved by calling 212-206-0440

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